Works | Arts

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Pablo A. Padilla Jargstorf - Arts

A short film that dives deep into the notion of threshold, presented at the International Society for the Study of Surrealism Conference 2022.

ISSS Conference. Paris, 2022.

Umbralia

Site-specific installation that represents the intimate connection between the Camino de Santiago and it´s celestial reference.

Proposal for the Connexio Awards 2020.

The Milky Way on Earth

Commissioned art works and designs by Unplucked Ltd., where each collection is inspired by a different scientific concept.

London, 2020 - Ongoing

Unplucked

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A combination of the most traditional drawing techniques with the most contemporary ones to compose elaborate designs and patterns.

London, 2019 - Ongoing

Splendour & Glory

Alexander I is an abstraction, a figure without time or scale that will be determined depending on the technique we use to represent it.

'Matter' Exhib. County Hall, London, 2019.

The many lives of Alexander I

A survey into a different territory. This is the outcome of the recording of the images and sounds from another land.

Cafe Oto. London, September 2016.

The Spaces of Hilbert the Rabbit

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Background Radiation - Part II

A/V Installation. London, October 2015.

2nd part of a series of works based on the idea of history: history as a simultaneous manifestation of thousands of events. Part II: The History of Myths.

A whole container from a brewery transformed into a musical instrument. All the guests happily playing with it.

40ft Brewery, Dalston. London, May 2016.

Sounds from the Container

Site-specific proposal for the atrium in Vesta House that represents the kaleidoscopic nature of London, simultaneously static and dynamic.

Vesta House Competition. London, Jan 2015.

Sound Cascade

Second work delving into the physical connection between the tactile, the visual and the sound, breaking the barrier between all these senses.

Stoke Newington Library Gallery. Ldn, 2013

Tactile Sounsdcapes of the Creation - II

How to transfigure, disfigure and crush the image of a Stockholm square and its surrounding soundscape into a single portable object.

Re(s)on-Art Festival. Stockholm, Sept. 2014.

Die Verklärte Stadt

Second site-specific work with non diegetic sounds conceived to transform a single space into thousands of different spaces.

Trajector Art Fair. Brussels, April 2013.

The Blinking Room - Part II

A tribute to Terence McKenna. A visual and sonic journey through the landscape where all landscapes collide.

Galería Espacio Valverde. Madrid, Dec 2012.

Timewave Zero - To Terence McKenna

The enlightening process of listening to and observing the innards of a sculpture, its inner soundscape and its guts.

Hanmi Gallery. London, 2013.

Techné

Like a geologist breaking a rock with a pick to see what's inside, destruction could also be an operation of perception and knowledge.

'Cabinet' Exhibition. London, Sept. 2012.

Breakdown

First site-specific work with non diegetic sounds conceived to transform a single space into thousands of different spaces.

The Gallery Soho. London, November 2011.

The Blinking Room - Part I

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First part of a series of works based on the idea of history: history as a simultaneous manifestation of thousands of events. Part I: The History of Spain.

Galeria Espacio Valverde. Madrid 2012.

Background Radiation - Part I

A space crossed by an acoustic threshold. A tunnel of reverberation in the darkness that functions as a link and division at the same time.

Galería Off-Limits. Madrid, March 2012.

Threshold #1

First work that delves into the physical connection between the tactile, the visual and the sound, breaking the barrier between all these senses.

Forman's Smokehouse Gallery. London, 2011

Tactile Sounsdcapes of the Creation - I

Second part of a series or works based on the idea of hope, desire and expectation. A walk to and end that will never come.

The Gallery Soho. London, November 2011.

The Eternal Advent - Part II

A site-specific sound and visual installation where we experience the echoes of the castle walls that disappeared long time ago.

Conwy Castle Walls. Wales. October 2011.

The Latency

A small shed that sounds like a cathedral. We see a small space, we hear an enormous one. Spatial distortion through sound perception.

The Gallery Soho. London, Nov 2010.

Resonances of Things to come

A site-specific installation in which the acoustic spatial perception of an entire temple is enhanced in just one of its corridors.

Zabludowicz Collection. London, 2011.

The Temple in The Corridor

First part of a series or works based on the idea of hope, desire and expectation. A walk to and end that will never come.

Chelsea College of Art. London, Sep 2011.

The Eternal Advent - Part I

Sound installation based on Henry Lefebvre’s Rhythmanalysis theory. 'Pendelexperiment' exhibition, curated by Monica Sand.

Saint Jacobs Church. Stockholm, Jan 2010

Rendering the Distorted Presence

A survey into a different territory. This is the outcome of the recording of the images and sounds from another land.

Madres Mercedarias Convent. Madrid, 2010.

Passion and Resurrection

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Instants from Another Place

Galeria Espacio Valverde. Madrid 2010.

A voyage into a different, uncharted territory. This is the outcome of recording the sights and sounds of another land.

A different approach to the idea of melody. An arpeggio that is built through space and movement, not just through time.

Palacio del Infante don Luís. Madrid 2006.

Bartlebloom Project

In this installation we move through the environment while it moves and rotates around us simultaneously.

Private event at MNCARS. Madrid, May 2008.

Soundscapes & Instants from another

Space perception is a process of integration. The interaction between all of our senses builds the image of our environment.

Fundación Sa Nostra. Mallorca, Sept 2008.

Gardening - Nit de l'Art

An architectural project where spatial perception through sound is the fundamental element. Sound as a design tool for architecture.

Architecture Thesis Project. May 2005.

Sound Research Centre

This work inquires into the relation between sound and object. Field-recorded sounds disfigured to create new visual connections.

Venice Biennale di Architettura, 2002.

Contemporary Landscapes

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